Juan de Flandes
Flemish-born Spanish Northern Renaissance Painter, ca.1460-1519 South Netherlandish painter, active in Spain. Nothing is known of his life or work before he went to Spain, where he is first mentioned in a document of 1496 as Juan de Flandes, a painter in the service of Queen Isabella of Castile. Treasury accounts confirm that he held this position until the Queen death in 1504. On arriving in Spain, he must have lived in Burgos, where he certainly met MICHEL SITTOW, another painter in the Queen service, who had been at the Castilian court since 1492.
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Juan de Flandes The increase of the breads and fishes oil painting


The increase of the breads and fishes
mk186 1496-1505 Madrid, Patrimonio Nacional
Painting ID::  45536 		Juan de Flandes
The increase of the breads and fishes
mk186 1496-1505 Madrid, Patrimonio Nacional
   
   
     
Juan de Flandes Herodias- Revenge oil painting


Herodias- Revenge
1496 Oil on wood, 75 x 50,4 cm
Painting ID::  52566 		Juan de Flandes
Herodias- Revenge
1496 Oil on wood, 75 x 50,4 cm
   
   
     
Juan de Flandes Vase of Flowers oil painting


Vase of Flowers
1635-36 Oil on canvas, 44 x 34 cm
Painting ID::  52640 		Juan de Flandes
Vase of Flowers
1635-36 Oil on canvas, 44 x 34 cm
   
   
     
Juan de Flandes Vase of Flowers oil painting


Vase of Flowers
Vase of Flowers 1636 Oil on canvas
Painting ID::  52641 		Juan de Flandes
Vase of Flowers
Vase of Flowers 1636 Oil on canvas
   
   
     
Juan de Flandes Herodias Revenge oil painting


Herodias Revenge
75 x 50,4 cm Museum Mayer van den Bergh, Antwerp Herod and Herodias sit at a table in a Renaissance interior. Salome presents the severed head of John the Baptist to them on a platter.Herod recoils from the atrocity, but Herodias holds a knife ready to pierce John's tongue in revenge for the saints's denunciation of her sinful behaviour. The panel belonged to an altarpiece devoted to the story of John the Baptist which was painted in 1496 for the Carthusian monastery of Miraflores near Burgos. The original form of the altarpiece has been partially reconstructed. Its central panel was the Baptism of Christ, now in a Madrid collection. Each wing consisted of at lest two panels placed one on top of the other. Although the work of Juan de Flandes is not really Southern Netherlandish in character, we nevertheless detect the clear influence of painters from Ghent and Bruges, especially Hugo van der Goes. He uses painterly techniques to create a strange atmosphere. The bright lighting and accentuation of the green, red and orange sections generate a nervous tension. Placing the main protagonists in the foreground lends the scene an expressive aura and a pronounced monumentality, which is further heightened by the dramatic movement, the sharply delineated forms and the realistic appearance of the figures. Author: JUAN DE FLANDES Title: Herodias' Revenge , 1501-1550 , Spanish Form: painting , religious
Painting ID::  62420 		Juan de Flandes
Herodias Revenge
75 x 50,4 cm Museum Mayer van den Bergh, Antwerp Herod and Herodias sit at a table in a Renaissance interior. Salome presents the severed head of John the Baptist to them on a platter.Herod recoils from the atrocity, but Herodias holds a knife ready to pierce John's tongue in revenge for the saints's denunciation of her sinful behaviour. The panel belonged to an altarpiece devoted to the story of John the Baptist which was painted in 1496 for the Carthusian monastery of Miraflores near Burgos. The original form of the altarpiece has been partially reconstructed. Its central panel was the Baptism of Christ, now in a Madrid collection. Each wing consisted of at lest two panels placed one on top of the other. Although the work of Juan de Flandes is not really Southern Netherlandish in character, we nevertheless detect the clear influence of painters from Ghent and Bruges, especially Hugo van der Goes. He uses painterly techniques to create a strange atmosphere. The bright lighting and accentuation of the green, red and orange sections generate a nervous tension. Placing the main protagonists in the foreground lends the scene an expressive aura and a pronounced monumentality, which is further heightened by the dramatic movement, the sharply delineated forms and the realistic appearance of the figures. Author: JUAN DE FLANDES Title: Herodias' Revenge , 1501-1550 , Spanish Form: painting , religious
   
   
     
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     Juan de Flandes
     Flemish-born Spanish Northern Renaissance Painter, ca.1460-1519 South Netherlandish painter, active in Spain. Nothing is known of his life or work before he went to Spain, where he is first mentioned in a document of 1496 as Juan de Flandes, a painter in the service of Queen Isabella of Castile. Treasury accounts confirm that he held this position until the Queen death in 1504. On arriving in Spain, he must have lived in Burgos, where he certainly met MICHEL SITTOW, another painter in the Queen service, who had been at the Castilian court since 1492.

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